Vintage French postcard with a young woman at sunrise and bedtime from 1900s.

Postcard legend: "Bonjour - Bonsoir" / "Hello - Good evening"

French postcard representing a young woman surrounded by flowers with the legend "Bonne fête". This postcard dates from 1900s.

In Europe and probably in other countries, it is tradition to wish a "bonne fête" to relatives and friends according to their first name and the calendar of saints. It is a tradition dating from the 16th century that lasted until the beginning of the 20th century and is gradually being lost.

French postcard representing a young woman surrounded by flowers. This postcard dates from 1900s. It has been sent, but the back is almost unwritten.

Huge French lottery tickets "Le petit quinquin" from 1942.

These lottery tickets were sold on the street or in small shops to help veterans.

Huge French lottery tickets "Loterie Nationale" from 1941.

These lottery tickets were sold on the street or in small shops to help veterans.

Huge French lottery tickets "Les gueules cassées" from 1936.

These lottery tickets were sold on the street or in small shops to help veterans.

Huge French lottery tickets "Les gueules cassées" from 1937.

These lottery tickets were sold on the street or in small shops to help veterans.

Huge French lottery tickets "Les gueules cassées" from 1938.

These lottery tickets were sold on the street or in small shops to help veterans.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 20 photos of the city of Padua (Italy) in the 1950s.

These photos are typical of the 1950s and 1960s, during which tourism progressed a lot but not all tourists were equipped with a camera. These photos were sold on the tourist sites allowing everyone to keep a souvenir of the visit.

French engraving representing strange characters dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon even if this engraving presents humans

French engraving representing a young woman naked and strange characters dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon even if this engraving presents humans

French engraving representing a porcupine and bears dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing two types of monkey (jocko and pongo) by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

The Jocko is a monkey described by the Earl of Buffon in the fourteenth volume of his Natural History published in 17661. It is presented, alongside the «Pongo», as an orangutan. His description actually corresponds to that of a chimpanzee reported to France in 1740 and died the following year in London.

French engraving representing a muscardin and shrews by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing a hedgehog and shrews by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing four types of squirrels by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing three types of gazelles by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing four types of ibex and sheep by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing four types of gazelles by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing a moose and chamois by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing a walrus and manatees by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.