Vintage French postcard with a bouquet of roses from 1950s.

Vintage French postcard with a bouquet of roses from 1950s.

Vintage French postcard with a bouquet of roses from 1950s.

Set of 1000 vintage French stamps from 1900s to 1920s.

This set consists of:

• 270 multicoloured stamps
• 370 green stamps
• 370 orange stamps

Correspondence book of a French young schoolgirl from the 1950s.

This notebook indicates the marks and the appraisals given by the teacher to the student.

Advertising blotter of the French Francorusse entremets brand from 1950s

Blotting paper (or blotter) is a porous paper capable of absorbing a small amount of liquid. It was mainly used to dry the writing when it was written in ink with a pen: ink can be deposited irregularly and dried slowly could cause stains and maculatures, the use of blotting was often necessary.

Huge aerial photography of Paris from 1950s

You will can see on the picture (in French): La Place de la concorde, l'hôtel Crillon, l'ancien Ministère de la Marine, le Sacré Coeur, l'Opéra Garnier, l'obélisque de la Place de la Concorde, le début du jardin des Tuileries et de nombreuses voitures de l'époque.

Huge aerial photography of Paris from 1950s

You will can see on the picture (in French): Notre-Dame, le Palais de Justice, la Sainte-Chapelle, l'ancien magasin La Samaritaine, les théâtres du Châtelet, l'Hôtel de Ville de Paris, le Jardin des Plantes, la Gare de Lyon, etc.

Set of 8 French bills of exchange from 1950s with tax stamps and rubber-stamps.

Note that several bills of exchange have a hole in the lower left corner: these bills of exchange had to be stapled to the corresponding bills and had to be detached more or less cleanly once the customer had paid the expected amount.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 8 French bills of exchange from 1950s with tax stamps and rubber-stamps.

Note that several bills of exchange have a hole in the lower left corner: these bills of exchange had to be stapled to the corresponding bills and had to be detached more or less cleanly once the customer had paid the expected amount.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

The last photo shows the back of the bills of exchange.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 10 French bills of exchange from different periods (from 1950s to 1980s), paper sizes and textures.

These bills of exchange are financial instruments for loans between companies. Before the massive arrival of computers, these exchanges were carried out by hand as shown by these documents.

Set of 20 photos of the city of Padua (Italy) in the 1950s.

These photos are typical of the 1950s and 1960s, during which tourism progressed a lot but not all tourists were equipped with a camera. These photos were sold on the tourist sites allowing everyone to keep a souvenir of the visit.

Set of 20 photos of the city of Verona in Italy in the 1950s.

Verona is a very old Italian town, in the region of Veneto, near Lake Garda.Founded in the 1st century BC, the historic city of Verona experienced periods of expansion in the 19th and 19th centuries and under the Republic of Venice. A remarkable number of ancient, medieval and Renaissance monuments are preserved here. Following the Romeo and Juliet tragedy of William Shakespeare in 1597, whose action is situated in this city, the city becomes the most famous romantic city in the world, called the «city of lovers of Verona».

These photos, linked to each other and folded into a small booklet, are typical of the 1950s and 1960s, during which tourism progressed a lot but not all tourists were equipped with a camera. These photos were sold on the tourist sites allowing everyone to keep a souvenir of the visit.

French engraving representing strange characters dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon even if this engraving presents humans

French engraving representing a young woman naked and strange characters dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon even if this engraving presents humans

French engraving representing a porcupine and bears dating from the middle of the 19th century.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing two types of monkey (jocko and pongo) by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

The Jocko is a monkey described by the Earl of Buffon in the fourteenth volume of his Natural History published in 17661. It is presented, alongside the «Pongo», as an orangutan. His description actually corresponds to that of a chimpanzee reported to France in 1740 and died the following year in London.

French engraving representing two large rodents and a hunter by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing a muscardin and shrews by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing a hedgehog and shrews by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.

French engraving representing four types of squirrels by the drawer Victor Adam dating from the middle of the 19th century.

Jean-Victor Vincent Adam, born in Paris on January 28, 1801 and died in Viroflay on December 30, 1866, is a French painter and lithographer. He has illustrated numerous works and his drawings have been interpreted in engraving by Antoine François Gelée, Émile Giroux and Jean-François Pourvoyeur.

This engraving is probably the result of a reissue of the encyclopedia on wildlife of Buffon.