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Late 19th - Carte de Visite Portrait - Elegant Young Man In Suit And Bow Tie - Maison Millet Paris Studio Photography - French History
Late 19th - Carte de Visite Portrait - Elegant Young Man In Suit And Bow Tie - Maison Millet Paris Studio Photography - French History
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🕰️ Vintage from the Late 19th century
🤍 Handpicked by Vincent
📐 Dimensions: 10x6 cm (3.9x2.4 in)
📦 Carefully packed and shipped worldwide
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This historical document is a Carte de Visite (CDV) photograph, a popular format for portraiture during the latter half of the 19th century. The photograph captures a finely dressed young man, presented in an oval frame, characteristic of the era's studio portraits. He is seen wearing a formal suit, a waistcoat, and a stylish bow tie, exuding the elegance of late 19th-century fashion.
The front of the card prominently displays 'Millet, Phot.' (Millet, Photographer) and 'Paris.', indicating the renowned photographic studio responsible for this exquisite piece. The reverse side further confirms these details with an elaborate design featuring 'Maison Millet' (Millet House) and its address, '16, Rue Croix des Petits Champs, Paris.' The phrase 'Photographie de la Banque' (Photography of the Bank) is also visible, perhaps indicating a specialized service or location. Below the studio's insignia, the number 'No 745' is inscribed, alongside 'Les Cliches sont conserves,' which translates to 'The negatives are preserved,' suggesting the studio's practice of archiving photographic plates. This artifact offers a fascinating glimpse into French social history and photographic practices.
The front of the card prominently displays 'Millet, Phot.' (Millet, Photographer) and 'Paris.', indicating the renowned photographic studio responsible for this exquisite piece. The reverse side further confirms these details with an elaborate design featuring 'Maison Millet' (Millet House) and its address, '16, Rue Croix des Petits Champs, Paris.' The phrase 'Photographie de la Banque' (Photography of the Bank) is also visible, perhaps indicating a specialized service or location. Below the studio's insignia, the number 'No 745' is inscribed, alongside 'Les Cliches sont conserves,' which translates to 'The negatives are preserved,' suggesting the studio's practice of archiving photographic plates. This artifact offers a fascinating glimpse into French social history and photographic practices.
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